Results: Lighthouse Hotel

Nestled in the picturesque Tremiti Islands, the Lighthouse Hotel competition sought to reimagine an abandoned lighthouse into a boutique hotel that embodies the Mediterranean spirit. Participants were tasked with transforming the structure’s interiors and surrounding areas into a serene retreat, harmoniously blending simplicity, elegance and the natural beauty of the coastal environment. By inviting designers to integrate local materials, natural light and the essence of the lighthouse as both a symbol and space, the competition highlighted the potential of adaptive reuse to preserve heritage while offering unique hospitality experiences.

Structured in two phases, the competition guided finalists with a refined set of principles, emphasising understated luxury, sustainability and the lighthouse’s irreplicable context. These guidelines inspired participants to explore designs that celebrated the Mediterranean essence, maintained the site’s historical integrity and created spaces of tranquillity and contemplation. The overarching goal was to transform the lighthouse into a one-of-a-kind accommodation while retaining its identity and connection to the surrounding landscape.

The winning design, Lento – A Retreat by the Sea, captivated the jury with its masterful expression of simplicity and profound sense of calm. The proposal’s clean, essential style distilled every element to its core, creating an environment of peace and introspection. Natural textures, muted tones and an absence of visual clutter enhanced the project’s tranquil atmosphere, making the lighthouse a sanctuary for reflection and renewal.

The design’s meticulous orchestration of light, materials and proportions imbued the space with an almost sacred quality, elevating the project beyond mere functionality to offer an emotional and transformative guest experience. The integration of the lighthouse’s original structure with thoughtful, minimal interventions preserved its historic essence while introducing a serene ambiance that resonated deeply with the Mediterranean context.

The competition’s standout projects reflected a deep understanding of the contest’s principles, offering innovative yet respectful approaches to reimagining the lighthouse. Runner-up entries paid homage to the structure’s historical and symbolic legacy through authentic material use, such as Trani stone and locally sourced wood, and by seamlessly blending communal and private spaces that celebrated slow living and connection to the environment. Designs emphasised the Mediterranean’s essence with understated elegance, light-filled interiors and a focus on sustainability.

Mentions highlighted imaginative and cohesive solutions, including organic forms that harmonised with the terrain, dynamic contrasts between smooth and rough textures, and playful yet sophisticated reinterpretations of the lighthouse. These proposals stood out for their creativity, attention to detail and ability to balance preservation with contemporary innovation.

Through their diverse approaches, the awarded designs transformed the lighthouse into a symbol of inspiration, demonstrating the power of architecture to bridge history, nature and modern living.

The competition was open to students, architects, designers, urbanists, engineers, makers, artists and anyone interested in the fields of architecture and design.

The winners were selected by an international jury panel composed by:

- Paolo De Matteis Larivera (Campobasso, Italy) | EMI Holding
- Daniel Perez (San Francisco, USA) | AIASF
- Martina Mitrović (Belgrade, Serbia) | IZVID Studio
- Harrison Stallan (Rotterdam, Netherlands) | OMA
- Paola Buselli (Massa Carrara, Italy) | De.Tales
- Utkan Gunerkan (Istanbul, Turkey)| Studio Utkan Gunerkan
- Stefania Carraro (Milan, Italy)| SDA Bocconi
- Flavio Mirabella (Rome, Italy) | Quincoces-Dragò & Partners

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WINNER

Lento
Carolina Agostinelli, Fabio Liberati Fidanza, Michele Perissinotto, Miguel Amaral
Italy – Portugal

The concept of Lento boutique hotel in the San Domino Island lighthouse reflects a deep consideration of the current state of Italian tourism, the unique qualities of Puglia, and the evolving definition of luxury. This project aims to blend past and future, local culture, and sustainability, creating a vision of luxury that respects the natural environment and the area’s heritage.

In the past decade, Puglia has experienced a significant rise in tourism. While this growth brings economic benefits, it also presents challenges in preserving the traditional ways of life that define this extraordinary part of Italy. Puglia’s charm lies in its architectural heritage and natural landscapes, with historic towns, a rugged coastline, and ancient olive groves contributing to its unique appeal. As tourism evolves, it is crucial that new developments enhance these features rather than overwhelm them, striking a balance between welcoming visitors and maintaining the essence that attracts them.

Today, sustainability is not just an benefit but a fundamental requirement for any new architectural project, especially those designed for travelers. The future of tourism is increasingly focused on environmental consciousness, driven by a collective awareness to cherish the natural world. In this context, the new definition of luxury is less about opulence and more about simplicity, authenticity, and a deep connection with nature. Modern travelers seek experiences that are meaningful and in harmony with the environment.

Lento at the Tremiti lighthouse embodies this new luxury: a place where guests can immerse themselves in the local atmosphere and experience the essence of the Apulian Island of San Domino. This concept goes beyond aesthetics; it is about creating an experience that feels genuine and connected to the place. It honors the island’s history and beauty while providing modern comforts in a way that feels organic rather than intrusive.

The design of the boutique hotel responds thoughtfully to its surroundings, focusing on local materials that resonate with Puglia’s history and culture. The design seeks to blend with the local atmosphere of the lighthouse and the island, ensuring this new attraction feels integral to the landscape.

Key to this approach is using olive wood and Trani stone, materials deeply embedded in Puglia’s architectural and cultural fabric. Trani stone, known for its timeless qualities, has been a cornerstone of Puglian architecture for centuries, standing the test of time in historic centers throughout the region. At the lighthouse, Trani stone symbolizes permanence and tradition, grounding the project in the area’s rich history. Its warm hues reflect Puglia’s sun-baked landscapes, anchoring the new construction within its context.

While Trani stone roots the project in the past, olive wood introduces warmth and flexibility to the environment. This material is associated with the region, not only for its architectural use but also for its cultural significance. In this project, wood clads the new volumes added to

the old lighthouse, housing guest and staff spaces. These wooden volumes harmonize with the natural stone surroundings, reflecting adaptability and sensitivity, much like the traditional Trabucchi fishing structures along the Puglian coastline.

The contrast between the permanence of the stone and the flexibility of wood creates an interplay between tradition and modernity. The lighthouse, with its stone floors and robust walls, stands as a testament to the enduring legacy of Puglian architecture. The new wooden additions represent a contemporary interpretation of this legacy, bringing elements of lightness and softness.

The idea of returning to simplicity and reconnecting with nature extends beyond the materials used in construction; it influences the overall Lento’s guest experience. The design focuses on creating a sensory experience that allows visitors to immerse themselves in the local environment through design elements that engage the senses.

The lighthouse’s location on San Domino’s rugged coastline offers breathtaking views of the Adriatic Sea. The hotel design takes full advantage of this, with windows and open spaces that frame the natural beauty of the surroundings. Guests can breathe in the salty sea air, feel the warmth of the Mediterranean sun, and listen to the waves crashing on the rocks. The natural materials like wood and Trani stone enhance this sensory experience, evoking the earthy tones of the landscape and creating continuity between the interiors and the natural environment outside.

Lento is designed as a sanctuary where guests can escape modern life’s pressures and reconnect with nature’s simple pleasures. The two guest suites on the first floor, with their darker tones, are conceived as private retreats, offering tranquility. Olive wood creates an intimate atmosphere in these spaces, while windows allow light to flood in, enhancing the connection to the outdoors. Each suite features luxurious locally crafted furniture, ensuring a comfortable stay, including king-size beds, walk-in closets, and personal-bars with locally sourced food.

Beyond the suites, the hotel offers inviting spaces for the guests. The common lounge is ideal for reading in the shade or savoring fresh bread in the morning. The dining areas allow guests to enjoy authentic Italian meals, while the outdoor spaces celebrate the natural beauty.

The outdoor areas are a highlight, featuring a swimming pool surrounded by a charming, untamed garden filled with myrtle bushes and rosemary plants. Here, guests can relax and enjoy the sunset or the cool shade. The upper terrace provides a peaceful setting for morning yoga or meditation, followed by a refreshing cold shower under the open sky. As evening falls, the terrace becomes a perfect spot for a dinner accompanied by the marine breeze or for gathering around a fire under the stars.

Lento boutique hotel represents a new model of luxury, rooted in the local context and centered around sustainability. By using local materials, respecting the landscape, and creating a design that enhances the sensory experience of its guests, the project offers a unique experience in harmony with the environment. It is a place where the past and present coexist, and guests can rediscover the simple pleasures of life in one of Italy’s most beautiful regions.

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About the First Prize – FLAVIO MIRABELLA – Quincoces-Dragó
“The project masterfully conveys the concept of simplicity through a clean and essential style that is immediately striking. Every element has been carefully distilled to its essence, resulting in a design that is both purposeful and profound.
A powerful sense of sacredness pervades the space, infusing it with an atmosphere of peace and introspection. The interplay of light, materials, and proportions has been meticulously orchestrated to evoke a feeling of calm reverence, making the environment a sanctuary for relaxation and contemplation.
Through soft, muted tones, natural textures, and an absence of visual clutter, the design communicates a sense of tranquility. The deliberate simplicity encourages mindfulness, transforming the space into a retreat from the complexities of daily life.
By integrating functionality with a profound sense of calm and sacredness, the project transcends conventional design, offering not just a physical space but an emotional experience. It is a testament to the power of simplicity, executed with precision and care, resulting in a space that feels both transformative and enduring.”

About the First Prize – STEFANIA CARRARO – SDA Bocconi
“The San Domino lighthouse project skillfully balances preservation and innovation. By maintaining the original structure’s spatial layout, iconic elements, and materials, the design respects the building’s historical character and its connection to the landscape.
The new volumes align seamlessly with the original axis, enhancing functionality while preserving light, views, and structural integrity. Thoughtful material choices, such as contrasting wood tones and Trani stone, create a harmonious blend of history and modernity. This project stands out for its refined design, functional enhance-ments, and respectful integration, earning it a well-deserved second place.”

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2nd RUNNER UP

Of Light and Stone. A Story about a Lighthouse Reuse
Cristina Iordache
Romania

I felt that this project is about contrasts between light and texture, indoor and outdoor. Outside there is the strong Italian sunlight and rough topography of the cliffs, inside there is the regularity of the lighthouse structural walls and the dim lights offered by fairly small windows. I decided to embrace this contrast.
I aimed to visually preserve as much of the existing structure as possible, so that a visitor can perceive the original walls of the lighthouse at any time. Without making any alterations to the existing structure, I carved the flow and new functions into the original rooms using simple stone volumes inserted in the space. Inspired by the natural topography surrounding the lighthouse, my desire was to bring inside the materiality of the exterior cliffs, but in this case reinterpreted as simple sculptural volumes rising from the floor, using trani stone found locally.
Likewise, I aimed to minimise the use of new walls. Where the use of walls was unavoidable, the aim was to detach them from the original structure, closing the space only when in use with sliding full height glass doors. The use of materials was carefully taken into consideration. In order to create a contrast with the existing walls, the partitions are finished with dark wood cladding, giving it more of a feeling of furniture placed inside of rooms.
To enhance the contrast in light between inside and outside, I used warm grays for the original walls and ceiling. Taking into account the low height of the space, I chose to focus most of the artificial light on the walls. The combination of the light from the wall sconces and the rays of light coming through the small windows of the building, give a warm, intimate and sheltering atmosphere to the interior space, almost cave-like, in contrast to the strong and energizing light from the outdoor Italian sun. The dim lights and the warm grays enhance the cream stone volumes, making them pop visually against the neutral background.
As soon as the visitor enters the hotel grounds, he is greeted by a long bench with a water feature on the same spot of the original fountain, refering to the memory of the place. The path continues to the pergola shaded area, located in the most privileged position in terms of outside view, looking towards the sea and the spectacular cliffs. The proposed pergola is a lightweight, removable wooden construction, detached from the building.
In place of the old water reservoir, an infinity pool is proposed that merges with the image of the sea. The pool is located at the level of the retaining wall and is accessed through a platform floating above the existing stone retaining wall. On this platform the sun loungers are placed.
As soon as the visitor enters the hotel he is greeted by the central lobby that distributes to the hotel’s reception and dining area on the left side, the staircase with elevator going upstairs and the kitchen and service areas on the right side.
I wanted the guest areas on the ground floor to be connected, both visually and functionally. Functionally, the two spaces consist of a bar area with reception and a dining room. Visually, a volume of stone connects the two rooms, a simple and bold gesture that organizes the two spaces.
On the upper floor are the hotel’s accommodation rooms. I wanted the two accommodation units on this floor to be able to function both separately and together as one suite. Thus, the stairwell is separated from the rest of the space by two pivoting doors. One enters into a distribution hallway and further on, in the second room, there is a common lounge area.
Another stone volume, this time a table at which to work, read, paint or contemplate, becomes the headrest of the bed. In the middle of the room is placed the bed, an important element, a center piece, that I visualize as a restored canopy bed. On the opposite wall, dark wood furniture with pocket doors hides the clothes storage cupboards, a minibar and the TV and multimedia equipment.
The bathroom is perhaps one of the most important rooms of the proposal. I wanted this room to be generous in space and comfort, so that even on days with bad weather, this space becomes a haven of relaxation.
The only place where I wanted to maximize the natural light is the bathroom, so a skylight was placed in the ceiling above the washbasin. As soon as guests wake up, they enter a space that is flooded with natural light, energizing them for the day. This room is also the only place where I proposed an alteration to the existing layout of the building. The door leading to the common lounge area is closed with mirror cladding, but retaining the original shape and position of the former door opening. Behind the washbasin is the bathtub, in front of the outer window. For privacy, the space between the bathtub and the sink can be closed with a curtain, providing an intimate area for bathing and relaxing.
The terrace has been treated similarly to the rest of the proposal, using volumes of stone to organize the space. Here one will find a lounge area with firepit, an outdoor dining area and an open air kitchen. As I appreciate the geometry of the light tower, in order not to obstruct in any way the view to it, I did not want to propose any additional shading system, but opted to introduce plants in the space, to bring nature closer. In terms of lighting, I wanted to keep the focus on the tower light, so the proposed artificial lighting is low, at floor level.

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About the 2ndRunner Up – HARRISON STALLAN – OMA
“Of Light and Stone” pays homage to the lighthouse’s historical and functional legacy with a design rooted in authenticity and simplicity. By integrating locally sourced materials like Trani stone and Holm Oak, the project evokes a sense of timelessness while preserving the structure’s original character. The thoughtful layout emphasizes slow living and intimate connections to the surrounding environment. Communal and private spaces are seamlessly integrated, offering moments of reflection and tranquility that celebrate the lighthouse’s rich history and Mediterranean heritage.”

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3rd RUNNER UP

THE MITH OF LIGHTHOUSE
Sara Masi, Alessandro Smeraldi, Federico Zelano, Filippo Ferrari
Italy

In a distant era, on the coasts of Asia Minor, lived Hero, a priestess who dwelled alone in a tower in Sestos. Leander, a young man from Abydos, fell in love with Hero after seeing her during the feast of Aphrodite, when she stood on her tower, bathed in moonlight and the mystery of her cult. To reach his beloved, Leander had to swim across the waters separating them every night, guided by the fire of his passion and by a lamp that Hero kept lit so he would not lose his way in the darkness of the night. But one stormy night, the wind extinguished the lamp, and Leander, unable to find his way, drowned in the raging waters. When Hero discovered the tragic fate of her beloved, overwhelmed by grief and despair, she threw herself from the tower, seeking to reunite with Leander.

I
Convivium of Aphrodite

The entire ground floor of this project is inspired by the mythological moment of the encounter between Hero and Leander at the feast of Aphrodite, where the love and connection between the two lovers materialize.
The exterior faces an endless marine horizon. Here, the concept of meeting and union is represented by the banquet, two long tables surrounded by elegant and comfortable chairs, shaded by a Kettal gazebo. This element recalls Aphrodite’s feast, where the protagonists met for the first time. The clean, modern lines of the structure, along with the white curtains gently fluttering in the breeze, create an ethereal and romantic atmosphere.
The idea of open space, in direct dialogue with the sea, symbolizes the freedom and fluidity of love and knowledge, an invitation to embrace the discovery of one another in a relaxing and natural setting. Natural light and the sound of the waves are sensory elements that amplify the sense of peace and harmony. This space is designed for convivial gatherings, but also for moments of reflection and rest.
The areas dedicated to relaxation are designed to offer comfort and intimacy, with modular, soft sofas arranged in cozy settings. The materials chosen for the interior evoke simplicity and authenticity, while neutral and soothing colours create a warm and welcoming atmosphere.
At the entrance, you can notice two large arches framing the two most important spaces on the ground floor: the banquet and the reception area. The first one is dedicated to a quiet place to live. And in the other section of the ground floor of the building we decided to design the kitchen e dining room because of functionality. Additionally, as you move towards the stairs, you will see the reception desk, where you can interact with the hotel staff.

II
Hero and Leander

The design of the Hero and Leander suites creates a unique stay experience, where luxury is reinterpreted through the fusion of spaces and the dialogue between interior and exterior. The central area, defined by an offset from the perimeter walls, hosts the heart of the experience: the bed, living room sofa, and open bathtub. Meanwhile, the offset houses the amenities, with the shower and toilets hidden behind masonry walls located in opposite corners. This elegant and functional design offers an open and airy environment, where every element contributes to a poetic and immersive narrative.
The design of the suites is inspired by the relationship and characters of the two figures: Hero is connected to the earth, while Leander is linked to the sea. The suites are designed to offer an experience of refined and continuous luxury, with fluid and spacious environments that seamlessly connect the bedroom and bathroom. Both suites feature a large central sacred space framed by two corner walls at opposite angles, defining the sleeping, living, and bathing areas.
The Hero suite, inspired by the priestess who awaited Leander, reflects the earth’s warmth with a palette of terracotta, beige, and ochre tones. A central arch without visual barriers connects the sleeping area to the bathroom, where a freestanding bathtub is visible from both spaces, accentuating the sense of continuity.
In contrast to the Hero suite, the Leander suite evokes the energy of the sea with deep blue, light blue, and grey tones.
Between the two suites lies a hallway in neutral tones, serving as a transitional space. At the end of this hallway, beneath a window, a table with a chessboard and two comfortable chairs offers a corner for games and contemplation.

III
The light

The external terrace was designed to offer an exclusive and meaningful experience to guests, intertwining modern elegance with strong references to the myth, transforming into a place of contemplation that evokes Hero’s ultimate act of diving into the sea, a symbol of eternal love and sacrifice.
The lounge area is the heart of the design, featuring Mesh sofas and Zig-zag poufs arranged around a central fire pit, reminiscent of the warmth of Hero’s torch, guiding Leander across the waters. The clean lines of the seating, combined with the minimalist low tables, create an atmosphere of quiet beauty, perfectly balanced between functionality and sophistication.
Complementing the lounge area, the terrace also features two relaxation areas dedicated to the boutique hotel suites. These exclusive spaces offer corners of intimacy and additional comfort for suite guests, furnished with elegant Mesh sofas and tables, ensuring privacy and a tranquil environment for relaxation.
Moreover, the wellness area has been integrated into the project to offer moments of pure pleasure and regeneration. This space includes massage beds designed to guarantee a total relaxation experience, in a calm and soothing environment that reflects the aesthetic and quality of the rest of the terrace.
The flooring, inspired by the colours of the sea, with its grid pattern and refined texture, represents a symbolic immersion in a timeless space where past and present blend. This project is not just a place of relaxation but a tribute to the tragic beauty and mystery of ancient stories. The top floor will become a landmark for guests, offering them not only a luxurious experience but also a deep connection with history and the landscape. A place where the past comes alive through design, perfect for evenings dedicated to contemplation and reflection.

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About the 3rd Runner Up – MARTINA MITROVIĆ – IZVID Studio
“This design proposal showcases an impressive sense of spatial organization, particularly in the common areas. The use of large arched openings provides a visual continuity throughout the living spaces, making them feel expansive and cohesive. The design beautifully translates the conceptual narrative into a tangible and well-executed formal outcome. In the suites, the visual connections and generous openings enhance the perception of spaciousness, creating a light and airy atmosphere. Additionally, the bold use of colors injects a contemporary vibrancy, making the spaces highly photogenic and visually engaging. The bichromy of the two suits give to both of them a specific language yet keeping them part of one coherent design strategy (…)”

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4th RUNNER UP

Calm the noise
Lina Botero, Sebastian Rosas
Colombia

Calm. Serenity. Connection with nature and a revitalizing landscape. This is what many people seek when they think of a relaxing getaway. Comfort and coziness are the results of well-planned architecture, where there is no competition: the architecture does not compete with the landscape but rather integrates it as part of itself. It also doesn’t compete with the interior design; instead, they merge, creating a whole that is designed for the human experience.
The noise is calmed when we find balance between our body and the surrounding environment, when we activate our senses and connect with the present time and space. The noise is calmed both outside and inside the architecture. Outside, when we connect with an inspiring landscape; inside, when there is harmony in the space we inhabit. To calm the noise, we embrace an architecture that is tranquil, harmonious, and discreet, where the design is not just about creating a hotel, but a home for the guest. The existing architecture integrates with new interior and exterior spaces, evoking an intimate atmosphere where a constant sense of calm and serenity prevails.
The design is based on a deep respect for the heritage architecture of the lighthouse. Its rustic appearance and thick walls are restored and contrasted with new elements —both finishes and furnishings— featuring soft textures, clean lines, neutral and fresh tones, minimalist yet highly sophisticated, achieving a subtle luxury that does not overwhelm, stress, or saturate. A subtle luxury that allows the individual to reconnect with themselves, relax, and enjoy an environment that is entirely at peace.

SPATIAL CONFIGURATION
Special attention was given to the spatial configuration, ensuring that all spaces have windows to allow natural light and ventilation, which contributes to a sense of well-being for all users. On the ground floor, spaces are organized for the guest’s social enjoyment. The most important areas are positioned in the quadrants with the best views of the sea: the living room, dining room, and kitchen. The service staff’s room is located toward the rear facade, with access through the kitchen, ensuring greater privacy for the guest.
On the second level, two suites with spacious bathrooms are arranged, conceived as sanctuaries of self-care and relaxation. There is also a lounge with a sea view that can be the perfect spot for reading or simply relaxing while contemplating the landscape.
The upper terrace is divided into two spaces that allow enjoying the landscape and integrating those who temporarily inhabit the house. The “living room” is protected with a light pergola, allowing its use even during the sunniest hours. The dining area is left uncovered to offer a more open atmosphere to the sky and the sea. The perimeter, surrounded by planters, adds a sense of freshness and enhances the beauty of the lighthouse. The plant species are carefully selected to avoid obstructing the sea view.
Outside, in the front area of the house with a sea view, seating areas harmoniously align with the topography. These level changes create cozy spaces for different uses, such as sunbathing areas, a large living room, and sea-viewing platforms. The platforms or spaces are fragmented, giving way to low-rise gardens to create a revitalizing environment that allows people to connect with nature. A single tree well is placed near the house’s entrance to accommodate a tree species that serves as a focal point and generates interest upon arrival. The existing stone walls and tank are used as a starting point, not only for the configuration of the new pool but also to structure these new leisure and relaxation spaces.

DESIGN STRATEGIES
As for the proposed finishes, the goal is to preserve a visible plaster in a neutral and light tone, thereby enhancing the light that enters through the existing windows. The floors are envisioned in a type of trani stone, also light and subtle yet very elegant. This flooring accompanies most, if not all, of the house, giving a sense of spaciousness even though the spaces are divided by the existing walls. The thickness of the walls is utilized —and in some cases simulated— to create niches, which serve as interesting focal points throughout the house and where fine decorations, crafted by Italian artisans, are displayed.
The use of wood also plays a leading role in all spaces and is of great importance as it neutralizes the original rusticity of the house. With wood, an interesting contrast is created between heritage tradition and contemporary design, while also evoking a sense of well-being as it is a material derived from nature.
Another vital aspect of the design is the incorporation of warm and homey lighting. There is a play with directional spots towards elements of interest, along with decorative and luxury luminaires, many of them designed by the Italian firm Flos, which contribute a very contemporary and innovative look.
Finally, custom-designed furniture is combined to meet the aesthetic and functional needs of each space, along with furniture from the Kettal brand, as it allows the use and contrast of wood with neutral-toned textiles.

ENVIRONMENTALLY FRIENDLY CONCEPT
A key component of the project is sustainability. The incorporation of 100% Italian-made furniture, the creation of an atmosphere that does not evoke excess but rather a connection with the present and its surroundings, and its minimalist approach —which reflects and influences the user’s mindset, free from unnecessary consumption— are aspects that can positively contribute to the sustainable practices offered by the hotel in its operations.

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About the 4th Runner Up – DANIEL PEREZ – AIASF
“This entry embodies the competition’s key principles exceptionally well. Its strong focus on Mediterranean essence, sustainability, and serene integration with the lighthouse’s natural and historical context makes it a standout proposal. The project’s understated luxury and attention to detail ensure a harmonious guest experience while preserving the site’s uniqueness. Minor adjustments to amplify the lighthouse’s symbolic presence within the interiors would elevate the concept further.”

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5th RUNNER UP

Ab Umbra Lumen – From Shadow comes Light
Stefania Cestari, Chiara Rosanda, Lorenzo Salsi
Italy

The project is based on understanding the dual nature of the lighthouse as a concept of transformation. Psychologically, it represents personal growth and how certain moments in life can lead to inner enlightenment. This concept is also a universal expression of moving from darkness to light. In essence, “Ab Umbra Lumen” encapsulates a message of hope and transformation in just a few words, where the lighthouse symbolizes both a safe haven and a place of solitude and reflection, where one can confront their inner light and shadows.

The Materiality of the Materials and the Interaction with Light
In the project, materials play a fundamental role in modulating light and shadow within the lighthouse. Rough and porous surfaces capture and diffuse light in a complex way, creating deep shadows that emphasize the materiality of the walls. In contrast, smooth and reflective surfaces amplify the light, making the environment brighter. This contrast creates a visual dialogue between shadow and light, with each element highlighting the other.
The green color, chosen to harmonize the lighthouse’s architecture with the natural surroundings, helps integrate the structure into the landscape, reducing its visual intrusion and creating continuity between interior and exterior. The goal is to make the internal space feel like a natural part of the surrounding context, making the experience inside the lighthouse more coherent and immersive.
The Lighthouse: A Spiritual Guide and a Refuge of Solitude The lighthouse was initially studied in its original function as a guiding light for sailors, a symbol of hope and salvation. In this context, it is not only a physical point of orientation but also a spiritual one. At the same time, the role of the lighthouse as a solitary dwelling, a refuge for those who lived there, has been explored, transforming it into a space of peace and deep reflection. Its strictly symmetrical architecture has been preserved intact, with an internal layout carefully designed to enhance the contrast between light and shadow, inviting guests to explore their emotions.

A Sensory Experience Between Light and Shadow
The project is designed to highlight natural light during the day, offering breathtaking panoramic views of the surrounding landscape. The outdoor spaces on different levels have been enriched with elements that promote relaxation and socialization, such as convivial areas with director-style seating and a pergola for summer dinners at sunset. The integration of local vegetation along pedestrian paths creates continuity between the architecture and the natural environment, blending construction with the landscape. As night falls, shadow dominates, and point and diffuse lighting takes on the guiding role, reflecting the original function of the lighthouse and offering guests a sense of peace and orientation.
Inside the lighthouse, emphasis is placed on shadow as an element that evokes stories and lived experiences. The internal symmetry has been preserved to maintain visual and functional order. The entrance, characterized by rigorous materials and lighting designed to define pathways, welcomes guests into an environment that evokes solidity and sobriety. The lighting is not only functional but guides visitors, introducing a silent dialogue between light and shadow.
To the right of the entrance, the reception area is conceived as an open dialogue between staff and guests, with a composition of keys hanging on the wall, each representing a symbolic key to be sought within oneself, while only two will open the suites. This symbolic installation transforms the act of welcoming into a ritual, connecting the guest to their personal space within the lighthouse.

Spaces for Sharing and Introspection
The communal room, located to the left of the entrance, is designed to encourage social interaction, with a large central table for breakfasts and lunches. This space offers flexibility for more formal events, with the possibility of separating tables. The movable wall between the communal room and the kitchen allows the environment to be transformed for themed workshops or to let guests use the space as they wish, making it more familiar. Behind these areas are the guest restrooms, kitchen, staff changing room, and a refreshment area dedicated to employees, maintaining a functional separation without compromising the overall aesthetic harmony.
The central staircase, a connecting element between the floors, has been preserved in its original form, with the addition of a small glass and metal elevator perfectly integrated with the surrounding stone. This intervention highlights the dialogue between old and new and the verticality of the lighthouse.

Suites and Terrace: Places for Reflection and Contemplation
On the first floor, the two identical suites, symmetrically designed, offer a unique stay experience. Each suite features a decorated entrance, a sitting area with a writing desk, and a bathroom accessible to guests with disabilities, with the shower positioned near the window for a sensory experience enhanced by natural light. The bedroom, with its geometric design and clean lines, evokes a modern Mediterranean atmosphere, completed by a relaxation area with a built-in bathtub, an antique mirror, and a freestanding stone sink, adding elegance and historicity to the environment.
The sensory journey culminates on the terrace, designed for starlit dinners and moments of reflection. A raised area with sofas and spaces for meditation invites guests to reconnect with nature and themselves. Seating placed around fire pits creates an ideal atmosphere for introspection, while a small garden provides a tactile experience and local products for exclusive dinners with renowned chefs.
To crown the project, an exclusive logo has been created that reflects the dual soul of the lighthouse, blending softness and geometry. It recalls the concept of “Ab umbra lumen,” symbolizing the transformation of the lighthouse into a welcoming and functional dwelling, with fluid lines that balance past, present, light, and shadow.

Conclusion
The project transforms the lighthouse into an extraordinary place to stay, where the duality between light and shadow guides guests on an immersive journey of personal discovery and connection with nature. This lighthouse, a symbol of orientation for sailors, assumes a new life, becoming a guide for guests on a path of inner exploration.

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About the 5th Runner Up- FLAVIO MIRABELLA – Quincoces-Dragó
“The project is thoughtfully presented, with a clear and compelling articulation of its overarching concept. Every design decision is purposeful, demonstrating a simplicity that is both refined and effective in achieving a harmonious and inviting atmosphere. The beauty of the project lies in its restraint. By embracing simple yet deliberate choices, the design avoids unnecessary complexity, resulting in spaces that feel authentic and approachable. This minimalist approach amplifies the impact of each element, from material selection to spatial organization, creating an environment that feels effortlessly cohesive (…)”

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