Submission: August 15, 2017
Registration: August 13, 2017
Language: English
Location: Vienna, Austria
Prizes: Exhibition
Type: Open
Imagine yourself in a God-like position, high up in the sky… overseeing human affairs… and imagine Yourself reviewing and mapping the great city of Vienna, Austria. Continue reading
Submission: July 27, 2017
Registration: July 15, 2017
Language: English
Location: Vienna, Austria
Prizes: Exhibition, publication
Type: Open
It is difficult to find a more “modern” poet, since indeed in some ways it was himself who defined modernity. Let us recall. He said that art has two halves: the modern one, that depicts the ephemeral, the transient, and the eternal one, that depicts immutability. Continue reading
Submission: July 01, 2017
Registration: June 24, 2017
Language: English
Location: Concept
Prizes: Publication, Exhibition
Type: Open
What is life…?
Maybe nothing more than a piece of rock and roll…
And the stone of life is still rolling…
And the rolling of life is still rocking…
C’est la vie… Continue reading
Submission: June 08, 2017
Registration: May 01, 2017
Language: English
Location: New York, US
Prizes: Publication & Exhibition
Type: Open
A NEW “LARKIN” BUILDING – BUFFALO – NEW YORK
Indeed, Dostoevsky was right, in Notes from the Underground: we human beings, after we build the Crystal Palace, we demolish it.
Less than 50 years after being built, the famous Larkin Building by F. L. Wright was demolished, in order to create “space” for an unavoidable parking lot. Continue reading
Submission: December 15, 2016
Registration: December 08, 2016
Language: English
Location: Concept
Prizes: Exhibition & Publication
Type: Open
Or should we say the House of NuNu…? One of the several explanations for the name “dada” is that the Romanian poet Tristan Tzara, one of the founders of this “controversial” art movement, approved in a discussion at Cabaret Voltaire in Zurich with the words “Da, Da”, which in Romanian mean: Yes, Yes…
Submission: October 26, 2016
Registration: October 26, 2016
Language: English
Location: Colectiv – Str. Tabacarilor 7, Bucuresti, Romania
Prizes: 1st Prize: €500, 2nd Prize: €300, 3rd Prize: €200
Type: Open
Almost one year ago, on October 30th, 2015, a terrible tragedy happened in Bucharest, Romania. It was Friday evening and in the Club “Colectiv” gathered around 400 people, most of them young… and a good number of architects and students of architecture.
Submission: October 05, 2016
Registration: October 01, 2016
Language: English
Location: Concept
Prizes: Publication, exhibition
Type: Open
We can only begin this invitational text by apologizing that we are a little late: on March 5th there were 50 years since Anna Akhmatova’s death. Fatally, it seems in cultural matters women still, despite occasional good intentions, come second… But we launched the competition for Alberto Giacometti late too… and just “by accident” we learned about Akhmatova’s commemoration this year. Continue reading
Submission: October 08, 2016
Registration: October 01, 2016
Language: English
Location: Concept
Prizes: Publication, exhibition
Type: Open
How many mothers had to place their daughters in an orphanage, in order to save them from starvation, and how many lost one of them, nevertheless, to hunger…? How many women had their husbands executed, and how many of them lived in the terrible poverty Martina Tsvetaeva lived in, towards the end of her life…? Continue reading
Submission: October 10, 2016
Registration: October 01, 2016
Language: English
Location: Concept
Prizes: Publication
Type: Open
It would be hard to find more appropriate depictions of human beings, now, than those of the great Swiss sculptor, Alberto Giacometti. Indeed, at the pinnacle of our human accomplishment and progress, we became thinner and thinner, metaphorically speaking, elongated perhaps by the very “success” of our “unprecedented” triumphalism. Continue reading
Submission: December 16, 2016
Registration: December 01, 2016
Language: English
Location: Concept
Prizes: Publication
Type: Open
No doubt Walter Gropius was a special man. To invite a painter like Kandinsky to teach at the Bauhaus, showed vision and courage. What school of architecture would do something similar, now…?And, of course, Kandinsky was not the only one. Gropius was against specialization and against the specialists, who, he said, were merely repeating their mistakes over and over again… funny definition of the specialists. Continue reading
